Hi
Batsceba,
First
of all, thank you for agreeing to this interview.
My
first question is about your artist name. Why did you choose Batsceba
Hardy as your official name? Is it just the homage of a passionate
reader to Far From the Madding Crowd and its author or do you
sort of identify with Hardy's character?
Damn, I
never answered this question! However, I try to please you, so i tell
you something: of course, the reference to Far from the madding
crowd is glaring. For the rest I keep my secret, I can only
add that Batsceba Hardy is a very singular name, unique in the
world. I should copyright it ;)
You
define yourself an “artist of the Irreality” who “lives and
will only live in the net”, currently residing in Berlin, although
“she could be anywhere”. You also write “I'm a photographer of
the wait. I don't look for shots. I find them in the pauses.”
I'm
utterly fascinated by your work. It seems to me that your method
essentially relies on hiding, revealing and revealing through hiding.
Very often, when looking at your photos, we are well aware of the
presence of the artist even if she doesn't appear in the picture.
That is, the hidden artist is revealed through her unique vision
while revealing to us what she is seeing. Sometimes what we are
shown of the artist is her vague reflection in a glass surface,
implying her wish not to be seen and to be seen at the same time.
This is all extremely intriguing. How would you explain these two
opposite tendencies?
"it
is joy to be hidden and disaster not to be found" (D.W.
Winnicott)
Anyway,
"artist" of the Irreality, means: to be able to stand
outside, beyond. Living perpetually in the interspaces, those that
can be caught by the lens or by the words. having no borders,
obligations. In many of my writings I speak of invisibility,
transparency. And also in my photographic works I speak of empty and
full. Of absence. Clearer?
I
love that quality of meaningful immediacy pervading your shots of
people in bars, in the metro or just strolling the city. No sequence
of words could narrate reality better than such lively portraits.
When did you start taking this kind of pictures? Were you influenced
by other photographers?
I started
taking street photos in Berlin, trying to be in the mood with
the city and its inhabitants. What interested me was the sadness and
-at the same time- the feeling of freedom, of diversity, that you can
experience in Berlin. As always I'm driven by the desire to retell
reality, and so I do it taking photographs...
Uhm...
Many. Man Ray, Ansel Adams, Urs Lüthi, Cecil Beaton, Vivian Maier,
Robert Doisneau, Diane Arbus, Weegee, René Groebli,
André Kertész,
Helen Levitt, Elliott Erwitt, Alfred Eisenstaedt, Henri
Cartier-Bresson, Richard Avedon, Yuri Bonder...
The
world is full of good eyes.
Do you already have an idea of the final result when beginning to work on a collage or you just start experimenting? What software products do you utilize?
When I
start a project, I always have an idea of what I want to achieve.
Every shot is aimed at my current project. Randomness
interests me, but is something that is in a corner, maybe the flame
that kindles the idea.
In any
case, I never stop to experiment!
I call my
“montage”: "combi-photography". It's a superimposition
of photograms (two or more), as in analog photography. Fusion of
forms and colours - reality and individuality - through a synesthetic
perspective (Photoshop)
In some
of my work I worked with the program Comic Life, creating
empty paper page on which to paste and assemble the photograms
previously
extrapolated, exactly as they used to do in the analogue studio.
A real use of the virtual.
extrapolated, exactly as they used to do in the analogue studio.
A real use of the virtual.
What
camera do you use?
Niki Ray
(Nikon D7000)
Blue
(Olimpus u9000,S9000)
Daniel
(Nokia C5)
and
others.... CASIO EX-Z110 - Olympus OM1 ....(analogic)
I am not a “traditional” photographer, I believe that the means are not so important, after all ... and I don't have so much money to buy what I'd like.
So I
dream of a dark room, a study, one Hasselblad, three Laica, a series
of Polaroid, and more.
Tell
us a bit about your books
(available here)
Do
you think they share some themes? How would you define your writing
style?
I don't
stick to genres, I like to tell stories in different ways, but I
believe there is always a certain irrationality in my writings. I
defined my way of writing imaginary realism.
What
do you think is typical of Berlin or of people from Berlin? Is there
something you're especially fond of about Berlin?
I
can no longer talk of Berlin. Everybody talks about this city... I
think it's a wounded city, its sidewalks carry the memories of these
wounds: the signs of the wall and the burnished labels with the names
of the deportees of Nazism.
I
guess it's like me: tristallegra (sad&happy)
In
this city you can find everything, from the man with the Green parrot
on his shoulder, to the guys walking around with sheep, from the girl
with the pink pig on a leash to the elegant gentleman who goes on an
electric skate. And then there is the sky, always in motion, without
borders. The sky above Berlin.
Thanks
again for your time, Batsceba!
Other
links on Batsceba Hardy:
Official website
Deviantart
Her blog on Altervista
Her profile on PhotoVogue
***
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